Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Caspar David Friedrich
The midday
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Caspar David Friedrich The midday


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Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.   Related Paintings of Caspar David Friedrich :. | Monk by the Sea | Cross in the Mountains | Riesengebirge | Self portrait | Landscape with Solitary Tree |
Related Artists:
Jacopo Chimenti
(30 April 1551 - 30 September 1640) was an Italian late-mannerist painter. Born in Florence as Jacopo Chimenti (Empoli being the birth place of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary in Counter-Maniera (Counter-Mannerism), Santi di Tito, he moved into a style often more crisp, less contorted, and less crowded than mannerist predecessors like Vasari. He collaborated with Alessandro Tiarini in some projects. Among his pupils were Felice Ficherelli, Giovanni Battista Brazze (Il Bigio), Giovanni Battista Vanni, and Virgilio Zaballi. In later years, the naturalism becomes less evident. The porcelain features of his figures accentuated the academic classical trends that restrained Florentine painting during the Baroque period.
Julian Onderdonk
(July 30, 1882 - October 27, 1922) was a Texan Impressionist painter, often called "the father of Texas painting." Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter. As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, graduating in 1900. At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, has also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son. Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio. President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art has several rooms dedicated exclusively to Onderdonk's work.
Franz Xaver Winterhalter
German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.






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